Subject | Re: Lenses and sharpening |
From | Martin Brown |
Date | 09/15/2014 09:12 (09/15/2014 08:12) |
Message-ID | <hjwRv.136763$NQ4.53734@fx26.am4> |
Client | |
Newsgroups | rec.photo.digital |
Follows | Alfred Molon |
Alfred MolonFor this to work well some very restrictive conditions have to be met - notably that the entire image is uniformly blurred by a symmetrical and spatially invariant point spread function (or one which varies slightly and in a very predictable way with distance from the optic axis).
Sometimes a soft lens can be very effectively compensated by some unsharp mask in post processing and you get a sharp, natural looking image.
But sometimes no matter how much sharpening you apply or what parameters you choose, you get that unnatural, "sharpened" look.Anywhere that was already sharper to begin with than the presumed blur will end up looking unnatural with ringing artefacts around it.
It probably depends on the unsharpness of the lens, its (spatial) frequency response or whether the sharpness is caused by the lens glass itself (i.e. lens not being sharp enough), inaccurate focus or some motion blur.You can only take out motion blur by modelling it. It can be done for a price provided there is something in the image to play guess the blurring function from. Used in car number plate recognition sometimes.
For instance I have a 70-300 lens which at the tele end generates a bit soft images, which however respond well to unsharp masking in post- processing. But that's not the case for the another lens I have (a mid- range one).A lens which scatters a bit of light into a halo around everything migth well tune up OK with a bit of unsharp masking.
Has somebody analysed this (i.e. how to best sharpen an image, what unsharpness can be eliminated in post-processing)? Is there perhaps some web page with details?Astronomers have the most detailed instructions on how to deconvolve images to obtain the maximum information about the night sky from finite sized and imperfect instruments. They have one big advantage over conventional photography in that their targets are all at infinity.